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Jul

3

Family Saga Historical Novel

by pdr lindsay

TheCarpentersChildren, a family saga historical novel by Maggie BennettTHE CARPENTER’S CHILDREN’ by Maggie Bennett, ALLISON & Busby Ltd., April 2009, £19.99, hb, 352 pages, ISBN:9780749079895.

As a writer-reader I find sagas irritating because I want to delve more deeply into the main character’s personality and motives, but sagas cover the life and adventures of all the family members over long spaces of time, often from childhood to old age. The plot is on a grand scale and thus the writing tends to a lot of telling with far too many characters for a reader to be deeply involved with. I like depth, but a good saga is a corking good story. Maggie Bennett writes some of the best and even manages to include more in depth character studies and motivations as well as a great story.

The carpenter of this saga is Tom Munday and we find him, with wife, Violet and three children, living in the village of North Camp, southern England, in 1904. Violet Munday loves her husband and has ambitions for her children. Ernest, her eldest she hopes will be more than a master tradesman, that he will become a clerk in a bank or solicitor’s office. Isabel, beautiful Isabel, the good and kind child, she hopes will be a teacher. Violet is very class conscious and wants to se eher children rased to the middle classes. Grace, the naughty, hot tempered baby of the family she worries about, but thinks something like nursing might calm her.

As a good saga should we follow the Mundays, their friends and community, through all the radical changes that take place in the early 20th Century, particularly during the onset and years of The Great War. Poor Violet has such problems adapting to the social changes and these historical details are one of Maggie Bennett’s writing strengths. Her research is excellent and used, not as a history lesson, but to show how the social changes affect the characters.

We watch the children grow up. Grace and her friends are deeply influenced by Hollywood films and dream of being ‘discovered’ and becoming film stars. Grace is heading for trouble. Violet has problems discussing sexual matters, is horrified that her daughters learn about sex at school. She never really feels comfortable in the 20th Century. Ernest is bright but religious, he has a terrible time at school and becomes a pacifist. Isabel falls in love when fifteen, but he is a curate and much older.

Tom watches his children grow and struggle, helps when he can, and reaches his own kind of peace in 1919, but without Violet, though his daughters are near him. It’s a cosy ending with the good getting their earthly rewards and the bad receiving their just desserts. That’s what sagas do, provide a comfortable read. This is an excellent book for slow bedtime reading, one chapter a night to cheer you up, in this world gone mad

pdr lindsay

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Jul

2

Bobby Revell, horror on the cutting edge

by Clayton Bye

http://revellian.com

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“My skull is winding in fragmented frequencies, digital complexion of warbled zoom mashed brain potatoes and raspberry moon. If you like twisted, weird, and sometimes psychotic fiction, click “My Fiction” in the blue bar to your upper left or click one of the selections in the featured content window–you will not be disappointed.”

This is Bobby Revell’s introduction of himself to potential readers. And he’s not joking. Revell’s horror is disturbing and not just “sometimes psychotic.”

I’ve experienced three of Revell’s short stories.

In Jessica’s Seduction: Horror Story of Passion a bored psychopath blogs about one of her adventures with the author. Gruesome and chilling, this story disturbed me to no end.

The next short I read at revellian.com was Forgotten Slabs of Nothingness, a story featuring the author when he first meets Jessica. A tale which includes a horror poem and crazed sex, the story is one the author claims to have written in a trance.

And finally, we have Death By Cigarette which I think is actually a very good short story. Except (or maybe because)… the author wrote it as if the incident was real and incorporated an authentic looking photograph of an armless, blood-sodden body.

This stuff is horror in real life. It’s edgy and disturbing. Over the top? Needs some editing to tone it down? I’d say yes. But how do you mess with something so visceral that it leaves you feeling worried about the author’s state of mind?

Copyright © Clayton Clifford Bye 2009

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Jul

2

An Irish Country Doctor

by pdr lindsay

An Irish Country Doctor by Patrick TaylorAN IRISH COUNTRY DOCTOR’ by Patrick Taylor, Brandon, June 2009, £8.99, pb, 322 pages, ISBN:978-0- 86322-400-3.

More faction than fiction, for Doctor Taylor calls heavily on his own experiences as an Ulster country doctor, the characters in this book first saw life in a series of humourous medical tales in ‘Stitches’, the apt name for the ‘Medical Journal of Humour’. Indeed it was the editor who encouraged the development of these characters and their hilarious stories into novel form. Patrick Taylor is an experienced Irish novelist, and writer of humour, and it shows.

An Irish Country Doctor’ is a deceptively simple novel, and guaranteed to make readers laugh. Lovers of James Herriot’s ‘All Creatures Great and Small’ will enjoy this novel, substitute people for animals and you have the same sort of laughter over peculiar country practises, larger than life eccentrics, and humanity’s foibles.

Patrick Taylor writes of a remote Ulster community in the early 1960s, seen through the eyes of a newly qualified doctor, assistant to the irascible older doctor, a well established character who does not do things by the medical book. Those of us who remember the delightful television series: ‘Doctor Finlay’s Casebook’ will see shades of young apprentice Doctor Finlay and choleric Doctor Cameron here, and indeed the novel would make a delightful, humourous television series. I certainly hope a sequel is being written.

The book is a tonic in itself and should be available on prescription. Do buy it for any one who needs cheering up.

pdr lindsay

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Jul

1

Resurrection

by Clayton Bye

Resurrection is the second chapter in my upcoming dark fantasy novel, TechnoMage. Each chapter in this novel will be a short story in itself (I hope). The first installment of this book was The Speed of Dark and is featured in an earlier blog on this page.

Resurrectiondreamstimefree_46

Pain was everywhere. It reached down into Richard’s memories and pulled him back to the light. He could hear himself screaming: sounds which seared his brain as the unending light had seared his eyes and the hot gravel had seared his skin. But he couldn’t stop. The screams rolled out in waves, one after another, time and time again—until blessed unconsciousness came crashing down.

Tim fed them for months. Mother was pleased. One day, after finishing a particularly good roast, she even went so far as to say he tasted better than Becky. Richard figured that was because he was younger.

At night, when greasy rain fell on the rotting roof, creating phosphorescent droplets which occasionally fell on his skin and burned him, Richard would conjure up images of what his mother would say when the time came to eat him.

“Richard didn’t have an ounce of fat on him,” she would brag. Or, perhaps, “He made a fine stew.”

The boy could hear the smacking of her wet, red lips, could envision her licking juices from jewel-encrusted fingers, flat, black eyes studying each morsel as she calculated how to get all the precious meat from his dead bones.

On the days Richard wasn’t locked in the cellar, when his mother chose not to go foraging for edibles in what was left of the city, he enjoyed walking in the fields. Trees hadn’t yet recovered from the firestorm, but clover and hay and the like had come up greener than ever. He also watched dragonflies. They weren’t birds, but they were alive. And mother wouldn’t eat them.

Bright light behind his eyes. Voices in his head. The unmistakable buzz of an electric saw.

How strange. The world had faded for a moment, had left him feeling like he was somewhere else. Richard shuddered, gooseflesh rose upon his arms. Time to head back. Mother was cooking up the last of the Tim-steaks. She’d be angry if he was late.

The boy pushed through waist-high grasses. Poisoned grasses. Ones he’d contemplated ingesting on many previous occasions, as a way to bring about an end to the headaches and the nausea and the aching in his chest.

But Richard was more afraid of the dark than Tim had been. So, recently, rather than thinking about ways to kill himself, he’d begun to harbour a secret dream. Down in the black place that was now his mind, the boy was cultivating the thought that maybe, just maybe, he could find the nerve to make mother a dessert.

“Wake up seer,.” the voice rasped and rumbled. “Now, majicker, I demand it.”

Richard’s eyes opened of their own volition. The owner of the voice, he of indeterminable age, skin the colour and texture of pig cracklings, eyes of liquid fire, stood before Richard like some terrible combination of dream answered and nightmare delivered.

Richard wondered how this could be. He knew in his gut that he’d died on some hellish world, abandoned there by his young enemy, Jack Lightfoot. Yet here he stood, before his liege.

“How?” he asked.

The voice that came out of Richard’s mouth was not his own. It wasn’t even human, having a strange mechanical quality he equated with those telephone devices he’d learned to use on Earth. Richard attempted to bring his hand to his face. Nothing happened. He couldn’t move any part of his body other than his eyes and his mouth.

“What have you done?” he asked in his strange new voice.

“All will be revealed,” said the Old One. “For now, know that you have been resurrected. Understand that I have kept my word with you. Eden will be yours. Perhaps, in time, Earth shall follow.”

The beast came close.

“Right now, we need to speak about Lightfoot. Did he cause what happened to you? Is he, as I suspect, a throwback? Has he the ability to cross the void at will? Does the Godhead flow through his veins?”

Richard let his mind revisit the battle he’d fought with Lightfoot. The incredible power he’d felt in the boy. The way the young mage had straddled two worlds, and the ease with which he had tossed Richard across the void.

“I suspect that what you say is true, but I can’t verify. All I know for sure is the boy was able to pull me from this world and leave me in another. I saw him cast no spell.”

The Old One nodded, waved a hand, and the world went black.

After finishing off every hateful morsel on his mother’s bones, Richard had gone to the city. He lived off scavenged foodstuffs, spending his nights foraging under the cover of darkness and his days holed up with books he found in an underground archive. It wasn’t safe to be out in the daylight. Too many hungry eyes. Besides, the books turned out to be useful. Most were about magick, the chosen trade of his father and his father’s father.

The boy studied and practiced magick until his supply of edible food ran out. Winter was coming, and he knew that to further linger in the city meant starvation. But he’d learned enough by then; he was able to defend himself—after a fashion. Selecting a few of the more substantial books in his collection, Richard filled his pack with as many other useful items as he could find: a boning knife, a durable tarp weighing but an ounce, a lamp guaranteed to never fail and Devil Dust for starting fires. He then turned away from the city and headed south on a snow-kissed road.

Years went by as words roll off the tongue. Richard continued to damage his soul. He embraced evil, following the path his mother had set him on, a path which took him to many strange places. One of these was his father’s childhood home. Here he reclaimed a few of his sire’s prized possessions, namely a crystal ball and an unusual stone almost too large to carry. In another place, a village full of thieves and murderers where he spent two summers and one winter, the boy learned the importance of preparedness and forward thinking. He also learned to speak little and listen a lot.

So it was, that in his seventeenth year and full of well-hidden venom, Richard Bartholomew invited an old man to share his fire. They’d camped on an open plain, at the side of a dusty road, under a canopy of a million stars. Neither of the men had wanted to close his eyes on the majestic view, so they’d chosen to forgo sleep for conversation.

“There’s many a world under them stars,” said the old man, running a hand through his wispy hair. “And I met a man who claimed to have been to one of them.”

Richard had been intrigued.

“This fellow—called himself Herod—told me he was a trader. Said his family had been traveling between the stars for generations. Got around in some kind of iron ship that was lighter than air, if you can get your mind to believe it.”

“They flew through the heavens?” Richard asked in wonder.

“Never saw it,” said the old man. “But that’s what Herod claimed.”

“He had this weapon. It was a small thing you could hide in the palm of one hand. A thief took my purse one day. Herod just pointed the thing at him and the fellow was gone. There was this incredible flash of white light, then nothing. Nothing, that is, but the ground, my purse lying on it, and the thief’s severed hand attached. No blood, though. The hand was sealed at the wrist, smooth as glass.”

The old man gazed up at the stars and said, “I was a young man, I’d find me one of those ships, or I’d summon me a demon that had the power to carry me across the void. Either way, I’d get off this world. She’s almost done for.”

Richard, who knew a little bit about demons, listened carefully. Then, as first light touched the eastern horizon, he sent the old man home. It was a fine breakfast, enjoyed more because the old man had been well met. Once the feast ended, Richard put his new knowledge to work. He endlessly studied and practiced the magick in his books—long past the time when the old man was fit for eating. But he did it. He managed to conjure up one of the fallen Gods, and he bargained for passage to a new world. The deal wasn’t great, but it worked for both of them. Richard gave her the use of his body for a year; she gave him The Garden of Eden.

When the Old One turned on the lights again, Richard had his mind back. He remembered what had happened to him, realized he’d been reliving parts of his childhood, even understood that his new master had somehow brought him back from the dead. The questions remaining were: What was the Beast up to? How had the Devil found him? And as it had been through so much of Richard’s life—what price would he pay?

“Ready for that war?” the monster asked his vassal.


Copyright © Clayton Clifford Bye 2009

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Jun

30

Fog Island Flowers by Tonya R. Moore

by Clayton Bye

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Fog Island Flowers
by Tonya R. Moore, 2008
Science Fiction
Paperback
268 pages

Buy Now on Amazon


Fog Island Flowers is one of Tonya Moore’s first forays into the self-publishing world. It’s what I would call a true diamond in the rough. Full of errors an editor would have caught (improper use of paragraphs and many missed and misspelled words), this is a story I couldn’t help but read.

The first book in the Cassandra series, Fog Island Flowers introduces the girl-god Cassandra Baron. A story about her parents, the technologically derived Anel and her half-human mate Jonathan, Fog Island Flowers chronicles Jonathon Baron’s return to his ancestral home and the madness that follows. A study of how advanced alien races rise and fall as gods to the lesser beings with whom they interact, the book enthralls.

How shall I put this? I’m a fan of Tonya’s later works, especially Pandora’s Lament, yet had I not known her I would still have given Fog Island Flowers a complete read. Don’t get me wrong, I believe the author owes it to herself and her future readers to go back and have this book properly edited and rewritten (I’ve had to do this with my own first novel, Tonya). But I have to tell you, Fog Island Flowers is a marvelous story.

If you’re someone interested in new and talented authors, and you can get past some substantial flaws, give Fog Island Flowers a try.

Copyright © Clayton Clifford Bye 2009

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Jun

29

Rehabitation, a Family Values Novel

by DLKeur

Rehabitation, a novel by Paul TaylorNew novel stresses the importance of family values

by Todd M. Pree

Author, attorney, teacher and hospital CEO Paul Taylor draws from life experience and entertainment news to explore personal growth and responsibility in Rehabitation.

In Rehabitation, the world of a young man from a well-grounded, Midwestern family literally collides in a traffic accident with a young woman, once a child star from a dysfunctional Hollywood family, who is trapped in a pattern of self-destructive behavior. After determining that the actress was behind the wheel of the car, the boy’s father, a prosecuting attorney, offers the young woman a surprising lifeline-no jail time, provided she can live with his family, caring anonymously for his comatose wife for one year. The lessons learned and discoveries made during the tumultuous following year bring changes and growth to both. One must discover love as a daughter before she can become a woman and an actress, and the other must move beyond his father’s voice and find his own as a man and a writer.

Inspired by his own wife’s recovery from a serious stroke, Taylor infuses personal elements into a narrative that switches between a proto-screenplay, a coming of age novel and a son’s letter to his father. During his wife’s rehabilitation, Taylor’s oldest son suddenly announced he was dropping out of college to attend film school in Hollywood. The resulting juxtaposition of Midwest and Los Angeles culture provides the background for this novel about the value of family relationships.

“Today, many people are not well grounded in a network of extended family relationships, and, as a result, contact with others often becomes a collision instead of a true connection,” Taylor says. “Those collisions with other lives are too disconnected, too discrete to form a basis for real human relationships; therefore, it is important people recognize their responsibility to those whose lives intersect with theirs. We can’t save the world, but we can make an effort to save that part of the world that touches us directly.”

EXCERPT

[CHAPTER ONE]

FIRST DRAFT

Rehabitation_Excerpt

Rehabitation is available for sale online at Amazon.com, BookSurge.com and through additional wholesale and retail channels worldwide.

About the Author
Paul Taylor received a bachelor’s degree in English literature from Dartmouth College, a master’s degree in literature and a law degree from Missouri University. After law school, he worked as an attorney in private practice and as a city attorney. He is currently the chief executive officer and chief legal counsel of Ozarks Community Hospital and resides in Webb City.

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Jun

29

Children’s Angel Book

by DLKeur

homeforangel1bHome for an Angel by Ron Fulner, a children’s book of help and hope

Home for an Angel is the story of Timothy, the littlest angel. Timothy has a dream to help an earthly family who is considering adopting a child, but has to follow his heart and believe in himself before his dream, and the dream of this earthly family, can be realized. So, with the help of his friend, the angel Michelle, Timothy sets upon a journey of hope and encouragement that hopefully, with a little bit of faith, ends in a Home for an Angel.

Delightfully illustrated in watercolor, Home for an Angel utilizes the concepts of hope, faith and encouragement in the discussion of adoption. Being the father of an adopted child, Mr. Fulner understands the intricacies in explaining to a child the “why’s” of adoption and it is this understanding, and the desire to help other families, that propelled Mr. Fulner to tell this tale.

Home for an Angel is available for $20.00 plus shipping/handling only at http://www.homeforanangel.com/.

ABOUT THE AUTHOR

Ron Fulner, a Houston DE resident, is an up and coming children’s book writer who is currently working on the sequel to a Home for an Angel. Mr. Fulner has been involved in the Green Industry for over 30 years and is an Army veteran. For more information about his books, himself, or to schedule an interview, please visit http://www.homeforanangel.com.

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Jun

29

Post-Apocalyptic Zombie Novel

by DLKeur

TheFray_eyes

It’s 200 years in the future when fate pits a young woman against the Destrachan, undead creatures who threaten all of humanity

The Fray, a post-apocalyptic novel by Phillip BradburyThe Fray by Phillip Bradbury introduces readers to a post-apocalyptic world filled with heroes, villains and man-eating zombies. A courageous young woman named Sera lives in a world devastated by disease and ravaged by Destrachan, men and women infected with an illness that leaves them deranged and twisted into beasts that crave human flesh.

EXCERPT

The Fray

Chapter One: A Heroine

She could feel it moving closer. It made no sound, not even through the dense sagebrush or across the packed sand. This didn’t surprise her, not a bit. The cougar was a hunter, just as she was. She wasn’t just a hunter of beasts, however, she hunted men, and sometimes the shadows of men.

Sera knew the cat could feel her watching just as she could feel it, muscle fibers twitching nervously beneath its thick fur and skin, sensing that something else was stalking it just as surely as it stalked its own prey. The mountain-cat’s eyes were desperate, eyes that seemed to glow with a vengeance and fury all its own.

She had chosen this place for its solitude as well as its silence, and the silence which surrounded her was welcome, for if no questions were asked, no answers were required. This was, for all intents and purposes, a hunt of purpose, of a vengeance for her and her people, and more importantly, for her and their survival. The cougar had gone mad, joy-killing much of the already slim flocks of sheep and cattle. It had left pieces of its madness in its wake; dead and dying animals bleating and sounding their misery and pain. It was a tidal wave of strength and insanity, crushing each living thing, feeding off the death throws of those animals unlucky enough to be caught in its path. The mountain-cat ate little of its spoils, leaving the meat to run sour, blood caking beneath the sliver of the waning moon.

She could see it now, crawling, belly to the earth, stalking its prey–a calf that had strayed too far from the protection of its herd. It was big, the mountain-cat, bigger perhaps than any she had ever seen, and she could kill it in an instant. The iron sights of her rifle perched upon its eye, moving slowly as it lead the creeping cat along.

The rifle wasn’t exactly old. It more than qualified as ancient. Cast deep in the heavy steel barrel were its maker’s marks, marks not only of a long dead gunsmith, but of a long dead civilization, decaying now, buried in the earth. Its remnants had been fragmented and torn both by the passage of time, and great wars that had sprawled over the land. The rifle itself was a small caliber, but well used by hunters like her and men-at arms. Handed down from generation to generation, it had passed through the hands of many hunters, but had passed over the hands of her father to hers. Her grandfather had given it to her upon a birthday some years before.

Her father had refused the gun, putting his faith instead into the compassion of the invaders, refused to take it up and fight and protect the very town he’d been born into. Brigham City. The town was once called that, long before the wars and constant battle that had since taken and infested the land. Now it was almost affectionately and some would say appropriately known as “The Brig.” A fortress built around a collection of empty schools and fallout shelters, and nestled against the mountain, the city has once thrived in the desert, water flowing freely from the mountain springs, giving life to both crops and harvesters in equal shares.

Destrachan.

The unspoken word on the tip of every man, woman, and child’s mind now.

The plague of all mankind.

These were the shadows of men, hunted desperately by each living hunter, given no quarter, no inch of freedom. They feasted on the dead and preyed on the living, not even half the men they once had been. This was the enemy now, not a foreign nation of unparalleled power, but the citizens of the very nation, state, and locale of their origin. Disease had turned them into such foul creatures. This was her purpose, and she did it well, without haste or hesitation. She was one with her weapons.

The scope had long ago been removed, its glass shattered in a vicious sandstorm while still in the hands of her great-grandfather. Now she held it, and tightly gripping the pistol grip stock. The blood of her ancestors flowed through her veins, the same blood of her father, grandfather, and many other hunters she knew of, but contained within more she did not. Confused voices calling her, memories that were not hers running through her conscious and subconscious. It was her grandfather she listened to now, his ways were hers, the ways of death and blood. And the hunt.

See the eye, she thought, though the thought itself was not hers, let the gun see what you see. Be one with the gun, let it be an extension of yourself. Respect the gun, and fear it. Treat it as you would the well-oiled and clean machine that it is and should be. Respect it. Fear it.

Would the gun jam? Could it? Not in her lifetime, as far as she saw it, the bullets on the other hand…her mind mulled over the possibility of a dud, a misfire, but thought better of it. She had been loading her own bullets since she’d left behind her diapers, and never before had she made a dud.

The powder, however, was not the same powder she’d loaded with in the past, of that particular powder there had been none in the Brig for more than a year. Before the sickness of shades, before the tide of destrachan, the explosive gun powder had been plentiful, and easily found, but now, in a small outpost far from any other, it was not so easy to come by. None, not even Henry, the Brig’s one and only alchemist, could reproduce the work of master chemists of the last age. These bullets, reloaded in the same way as millions had in the past, had been loaded with another bluish powder, an explosive substance that had been recovered only recently, on a mission she herself had accompanied. That mission had nearly been the death of her and her comrades, had been the death of one of her own, a hunter, Mick. Perhaps others had more gunpowder, but the nearest settlement was miles to the south, and no one had heard from Hill in months.

At the thought of Mick, her heart began to swell with sickness and sadness, another hunter fallen to the foes they had sworn to fight. Their numbers were fewer now, much fewer than when she had first taken the oath at the young age of thirteen. So young, the first female hunter in decades, maybe the first in a century, or ever, as the order hadn’t existed prior to the appearance of the destrachan. So young, and yet she was good, almost as if she were made for the job. And she didn’t mind, not a bit, for there was joy in the battles she had fought in, and more than once had been told by Mick that she was turning the skirmishes to their favor, Mayhap even the war, his voice echoed from that day in the recesses of her mind. He had been dying from the wound on his neck. It wasn’t much, but it was what it was, and though he wouldn’t bleed to death, the disease, the sickness of shades was flowing throughout his body, infecting his blood and contaminating his organs and thoughts. Already he had been changing, becoming one of them, one of the damned before the hour was up. The bluish powder was not a substitution for gunpowder, though explosive. She should have thought of this sooner.

“Fuck.” She muttered the word under her breath, angry at herself. Laying the rifle carefully and quietly on its side, Sera quickly unsheathed the knife on her belt. The “knife” might have passed for a short sword, blade almost sixteen inches in length and honed to a razor’s edge; it’s handle was almost that long itself, measuring in at twelve–giving the knife the look of a spear. Leather strips were wrapped tightly around the steel haft, covering the metal beneath and giving grip to even the sweatiest hands. It really did look like a spear, so much so that she herself had called it such from time to time. Her spear-knife.

The beast was large, much bigger than she’d originally though, larger by far than she was. The cougar dwarfed even the calf–which was nearly full-grown–as it leaped gracefully and without a sound into the air, pouncing when the bovine could see it coming. Even if the calf had seen the mad cat flying through the air, claws extended with lethal intent, it would still have frozen in fear at the sight of it. The calf collapsed beneath the cougar’s weight, it’s throat disappearing in a spray of blood as the cougar bit down.

Something didn’t quite add up. Something was wrong with the cat, she could sense it now, and tiny details crowded back into conscious thought. It hadn’t eaten any of its kills, preferring instead to rip them to shreds, leaving the victims dead or dying, blood pouring from the tears and gashes in their hides. It wasn’t hungry, it was …

The answer is there, you can see it lying beneath the surface. You know it can’t be as simple as …

Mad, driven insane by some brain parasite.

And it isn’t mad of years, though it has many. See the sheen of its coat!

The mountain-cat’s fur glistened in the moonlight, shining in all the right places, almost radiant. Her desperation grew with every second she deliberated, holding her own counsel. It didn’t appear to be sick or dying, in fact, it looked perhaps the healthiest it had ever been. The cougar was strong.

Eyes and teeth and…shadow

And fast and quiet, but still, the sense of wrong and dread filled her, pervaded her senses and thoughts, silencing her inner dispute. The wind blew softly across the valley, letting the grass rustle and it brought with it the scent of rent flesh and cat to her.

Single words, no ideas, glimpses of possibilities…darkness flooding her brain and filling it with teeth and blood. The thrumming of a sickened heartbeat, the humming of insanity…Destrachan

Her mind reeled sickly and raced furiously at this realization, then shut it down, closing the thought off from the rest of her–detaching from her thinking part, becoming more primal, more animal than human. Sera crouched low to the ground, supporting herself with one hand, spear-knife in the other. Her eyes closed briefly, muscles twitching impatiently, becoming, changing. Transformed almost instantly into one hundred fifteen pounds of pure havoc. Her eyelids fluttered back open, green irises brightly reflecting the faint light from the stars and moon.

The wind blew through her dark hair which might have streamed behind her, an ebony wave, had she left it long, but she hadn’t. Her moccasins rolled softly in the tall grass as she sped across the distance between herself and her prey. Raging with the fury of the ages, a Valkyrie sweeping the souls of heroes back to Valhalla, her anger swelled within her and her vision went blood red. She could taste the blood in her mouth, a coppery heavy feel, and intoxicating, like strong wine. It ran like a torrent all around her, running through her, yet through it’s haze she could see the beast before her, could feel the thrum of its glimmer, strong as any she’d ever felt, pulling her towards it, and it was aware of her. The cougar turned to face her, snarling in rage at being surprised in this place, its place.

The same fear she felt for the gun rushed across her, but she paid it no heed. The cougar must die that the Brig and its people might live. Running, closing distance fast before the glimmer caught her. The shimmering fur of the beast was an aura, a shadow of the beast’s spirit reflected back out as darkness–a cloak of anger, vicious and pure undying hatred for all things living, spreading its deadly touch to each and every single life that did not grasp hard enough, cling closely enough to its own. Blades of grass shriveled and yucca withered at the touch of the monstrous presence that now seemed to emanate from the beast itself. Glimmer.

And it hums, Sera thought, God damn it, why does it have to hum!

The “hum” was more like the roar of thousands of bees hovering around a person’s head, and gave the feeling that those bees might strike at any moment, bombarding the mind with a feeling of helplessness and despair.

The wind blew and the grass rustled; the glimmer all but disappeared. Still faint, nearly invisible.

Sera’s nostrils flared in excitement at the static energy growing and crackling all around her. The clear night sky clouded over, hiding the diamonds of the sky in a sea of dust and false moisture. While the ground wasn’t exactly parched, it wasn’t wet with morning dew either, every drop of water was absorbed quickly in the desert, required to fill the vast underground rivers that flowed in the sand and rocks below the surface. A dry lightning storm, common in this part of the world, had proclaimed itself with a crack of thunder. Overhead, the storm quickly gathered up energy and neared its culmination, readying a hurricane of lighting, thunder and gale-force winds.

The wind blew and turned, changing the direction of the waving dry grass. Rational thought, what had been left as her survival instincts took over her bodily functions, lost its place in her mind. Fury let loose in her mind, and the blood was back, soaking her to the bone with it’s sweet seduction. The cougar would die, that the Brig might flourish.

The cat was already in the air, teeth bared in a scream, no time left for dodging. The beast was made for this, finishing a fight before it could begin, and so was she. Her instincts hurled her body up into the air to meet it. In the moments before they could connect, something tickled at the back of her mind, like a realization waiting to be born, a sound, perhaps, a far off sound associated with a large barred gate, rending and tearing itself free of concrete. The tickle lasted only a moment, but it was a moment she didn’t have, she screamed her own battle cry, a wild sound that would have been at home in the throat of another cougar, and her vision ran red and grey, dripping with the blood she felt hot and heavy in her veins.

The two hunters collided in mid-air; huge paws clawing and tearing at her back. She held tight to the tender flesh beneath the cougar’s lower jaw, keeping the massive teeth as far from her as she could. Twisting and coiling, the cougar raked her legs with its rear legs, ripping her thighs into vertical strips of hanging muscle, trying desperately to free its head. Sera wrapped her bloodied legs around the cat’s mid-section in between a set of rapid strikes, using her reflexes to save some of her blood from being spilled. In response, the mountain-cat’s right fore paw dug its claws deeper into her back, ripping leather from her body. Her wounds coursed in vicious trenches, muscle torn free of skin lay hanging like jewelry from her shoulder blades.

Time in battle is slow time. Every detail, no matter how insignificant finds place in a memory, letting everything settle, allowing a hunter, a fighter, a warrior to do the thing done best. Bloodletting was no easy work, and the cat was a great adversary, size and strength its advantages. The cougar, for all its groping and turning, for all its struggles to the contrary, became the first to fall, finding itself beneath the girl.

A cat can’t always land on its feet.

They landed with a cracking of bones loud enough to make Sera shudder, or she would have shuddered, had she been herself and not as much animal as the beast beneath her. The crack reverberated through her body, joining the throbbing pains of her other wounds in a cacophony of resounding misery.

To say the cougar was merely angry at this new pain would be an understatement. The cougar was furious, was blinded by white hot rage as it began to recover its feet. Not only had the girl interrupted it while it fed, now its rear was broken, and perhaps would never heal. Its legs splayed out uselessly to either side, but the forelegs were working just fine.

Her pain wasn’t exactly red, but yellow and gold shining beneath the moon. Pain was at the tips of the mountain-cat’s claws, pointed and poisoned, the glimmer reaching out and touching everything she might have held. She wasn’t ready for the pain this time, several of her ribs had cracked in the landing, and she was bleeding profusely. The battle must end quickly if she was going to survive.

A voice from the back of her head, beneath her feral instincts: A battle will last as long as it must.

The cougar’s fore paw tore across her left breast, ripping the last of the leather holding her shirt together. Then the other paw cut into her right cheek, even as it moved aside, trying to get away from her. She could feel the blood oozing? Rushing down her face. On the ground again, her spear-knife was now within her reach. Had she dropped it in the fall or the landing?

Doesn’t matter.

She grabbed onto the blade’s long handle, pulling herself to her feet, using as much of her strength as necessary to do it quickly. Dizziness flowed in waves across her mind, but she shook it off. Survival was all that was important now. Much more important than dealing with either pain or nausea, those would come later. Now, now she had to slay the beast. It scrambled to its belly, rear legs flopping about, forelegs pulling it nearer the lifeblood, precious lifeblood. The same blood that flowed, poured out and down like a torrent, absorbed back into the dust, staining the earth below a darkened crimson. Sera was wounded, perhaps dying, perhaps not, she didn’t care any more, her carnal side sought its revenge. She had the knife, and it might be enough to grant her victory over the cat. Visions of dragging the huge thing back to the Brig triumphant.

The cougar snarled as she approached, lashing out with its deadly claws. The glimmer had receded, strength waning, but the cat’s own strength was formidable and its insane eyes seemed to roar the pain both she and the beast felt. A huge paw swatted at her leg, but she easily dodged the blow, skipping backwards with grace. She was on the cat’s back now, gripping the fur at the nape of its neck, holding tight as the cougar bucked wildly.

She plunged the spear-knife into the thick cord of knotted nerves at the base of the cougar’s skull and the cat screamed. Its deathscream. All its bodily functions were lost, severed at that instant with the blade’s strike. The beast continued to scream, its body falling to the earth, limp and lifeless. And the mountain-cat’s cry, its deathscream whined down. Closing time for all one-stop shoppers. Landing gear has failed. It was over.

The blood of the cat ran freely even as it died, neurons in its brain quit their firing all together. Cabin pressure lost and not regained. It was over.

Wrenching the knife free, she wiped it on her tattered and now bloodied leather tunic, flesh and leather hanging in bloody strips, dripping onto the ground. Her pants were shredded from the thigh down, shirt worthless with tears and holes. A total loss. Her body was a landscape of canyons carved by rivers of surging blood.

The dizziness swept over her again. The bleeding would not stop until it was bound, and she needed to finish that before she could rest or faint from blood loss. Rending pieces of her leather pants to wide strips, Sera tied them snugly around her chest and legs.

The wind blew softly, rustling the dry grass and sagebrush into a frenzy of activity. Beneath the waning moon, the storm roiled impatiently, then struck. Bolts of lightning shot down from the sky like bullets from an automatic weapon, light brush fires that could burn the whole valley if left unchecked. And as quickly as it had grown, the storm broke, stars once again visible in the sky, lazy clouds drifting in the wind.

Sera gained her feet once more, then collapsed from duress and lost blood–not ten feet from the gun and satchel she’d left in the brush. Sleep came quickly, and the dreams came in broken, fevered flashes of light and dark.

Copyright 2006

“Good and evil are rarely black and white, but shades of grey,” Bradbury says. “The Fray illustrates how the logical fallacy of sacrificing one for the good of the many isn’t always a fallacy and sometimes is the only option.”

The story opens when Sera meets Gabriel, a scout for a nearby settlement that is a remnant of a military base that once thrived. The pair battle the undead together and encounter a mysterious character who foretells their future and leads them to Jack, the evil genius behind the Destrachan disease and the carnage that plagues the world. Now Sera and Gabriel must defeat Jack before he transforms the rest of humanity into demented zombies and destroys society forever.

The Fray is available for sale online at Amazon.com, BookSurge.com and through additional wholesale and retail channels worldwide.

About the Author
Phillip Bradbury is a first-time author who lists Stephen King and Robert Jordan as major literary influences.

Website: http://thefray.imposticy.com

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Jun

28

Jewish Culture Children’s Book

by DLKeur

ello Shalom My Name is Sasha Feinstein, a children's book
Children’s book explores Jewish culture, traditions and way of life

Hello (Shalom), My Name is Sasha Feinstein by Antonia Harlan celebrates cultural diversity with a story about a Jewish boy who discovers new pride in his roots

Hello (Shalom), My Name is Sasha Feinstein by Antonia Harlan is the second in her series of books promoting the value of multiculturalism and is meant to teach children that despite differences in skin color or cultures, people are very much alike.

How do young people approach customs, ethnicities and ways of life that are different from their own? In Hello (Shalom), My Name is Sasha Feinstein a young Jewish boy named Sasha struggles to be accepted for his beliefs. As his classmates belittle him and try to change his name to sound like theirs, Sasha begins to discover how proud he is to be Jewish. By teaching his classmates about his grandmother’s survival of the Holocaust, Sasha enlightens the other children and lays the groundwork for a new understanding.

Harlan has long been active in emphasizing the value of cultural diversity and promoting racial and religious harmony, and is the recipient of the YWCA Outstanding Women Leaders Award for Racial Justice. Her book is meant to entertain, educate, and show children that by learning about others, they can enrich their own lives.

Hello (Shalom), My Name is Sasha Feinstein is available for sale online at Amazon.com, BookSurge.com and through additional wholesale and retail channels worldwide.

About the Author

HelloMyNameIsJoseMaeBrickerAntonia Harlan has served on the boards of the DuPage County Girl Scouts Diversity Task Force, the Naperville Police Department Citizens’ Advisory Board and the YMCA International Committee. She is also the author of the first book in this series, Hello, My Name is Josie Mae Bricker, about a young slave girl on a plantation.

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Jun

27

Direct Buy Links to Your Novels

by DLKeur

AUTHORS

The Deepening DOES allow member authors to direct link your own PayPal buttons to your books. The only stipulation is that you use two link-backs in your form code found under section three when you create your PayPal “buy” button:

  • For customers who cancel checkout, http://www.thedeepening.com/world-of-fiction/YOUR-POST-OR-A-POST-YOU-BUILD-ASKING-THEM-IF-THEY-STILL-WANT-TO-BUY-YOUR-BOOK
  • For customer who complete checkout, http://www.thedeepening.com/world-of-fiction/YOUR-THANK-YOU-PAGE

NOTE THAT YOU CAN CREATE AND USE A CUSTOM BUTTON. Email it to me at editors@thedeepening.com and I will upload it to server where you can link to it. Image formats of .jpg, .png, and .gif files are okay to use. The location for use with PayPal would be: http://www.thedeepening.com/buttons/YOUR-FILE-NAME.gif once I receive your image and email you back a confirmation.

Of course, if you want to link your preferred shop, that’s fine, too, but you MUST use target=”_blank” in your link, like this:

<a title="your link description" href="http://your-uri.com/" target="_blank">

We strongly suggest that member authors build their author pages on The Deepening, too, where you not only can link in a direct feed from your blog (an example), list your complete works with buy links, add video, audio, and images…in short, promote yourself and your books, all on The Deepening.

If there is enough call for it, we’ll put in a dedicated “shop” where books will be featured in an easy-to-use catalog, so go ahead and sign up, then get your author friends involved, too.

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An exclusive fine art installation, created by fine artist Revad expressly for The Deepening! Visit Revad on the World Wide Web and check out his other amazing fine art installations at http://www.revad.com/.

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